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NEXT AGE GALLERY ALLIANCE FOR COLOMBIAN CHILDHOOD



On February 6, 2022, Cambio Magazine carried out a report called, "Los NFT Desatan la Locura por el Criptoarte" in their technology section. The journalist Álvaro Montes collects some of the perspectives that enthusiasts, artists, businessmen and a handful of individuals and organizations interested in the dissemination of this technology. Part of the opinions expressed by the legal representative of the Restaurando Futuro Foundation have forged the orientation of the Taiba Lab project. The development of the innovation laboratory, financed in 2021 by the Colombian Ministry of Culture, has allowed closer ties with countries such as Spain, where to date the artistic collective promoted by the non-profit entity, has found a space for the circulation of creative goods. Thanks to the existing collaboration agreement between 2TeamNFT in the Marketplace Next Age Gallery, Colombian artists have the possibility of circulating their works to the international public under a Smart Contract on the Polygon blockchain.


Under this model of international cooperation, the Restaurando Futuro Foundation has facilitated valuable connections for artists such as Alejandro Mosquera (Pereira), who to date participates as an illustrator in the Spanish NFT project "El Templo de Askur", thus adding an additional circulation channel for your creative assets. The community creation process within Web 3.0 has completely different characteristics than its previous versions. Sometimes, the superficiality with which figures are stated in reference to the volume of digital assets and the transfer of value within the NFTs market, does not allow us to highlight other benefits that the organic solidarity present in the relationships built from social interaction represents. . We recognize the depth with which Álvaro Montes has collected differentiated perspectives in his article for Cambio Magazine and in a certain way he is impartial regarding the usefulness that non-fungible tokens represent to democratize art and resignify the work of the artist as a creator of value in the economy.



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